Radio Alice
Other screenings                  

Radio Alice

François Pain

Country

France, Italy

Year

1977

Length

53'

Synopsis

In collaboration with: Bibliothèque Nationale de France.

 

The film features a large delegation of Radio Alice figures who, after the station was shut down in March 1977, meet in Paris. The opening scenes were shot at the La Borde Clinic in Cour-Cheverny, where the group meets students of Félix Guattari. In a room decorated with stucco and mirrors, some of them broken, Franco Berardi recounts the story of Bologna and the origins of Radio Alice in French. The group then moves to a studio equipped with turntables and tape recorders, where accounts of the Bologna experience alternate with listening to records. The station’s history is reconstructed by Paolo Ricci, Matteo Guerrino, Ambrogio Vitali, Andrea Zanobetti, and Franco “Bifo” Berardi. Ricci, Guerrino, and Vitali speak in Italian, with Zanobetti translating, while Zanobetti and Berardi speak directly in French.
The film then cuts to an audio recording of Radio Alice’s final moments, subtitled in French against a black background, before moving to Bologna in the autumn of 1977, during the “September Conference.” A procession led by saxophonists and other musicians makes its way along Via Zamboni. In Piazza Verdi, amid music and interviews, a sign announces: “Alice is broadcasting via a radio link with the Cité Universitaire in Paris.” Through footage shot in Paris, Bologna, and Rome, the film revisits Radio Alice’s story just months after its closure, as well as the network of relationships and political experiences that continued to develop after March 1977. The documentary has never been shown in Italy, although it has screened at a number of activist groups in France.

Biography

A director and filmmaker whose work is primarily concerned with institutional psychotherapy, Pain began working at the La Borde Clinic in 1965, where he met Félix Guattari and formed a lasting friendship and working relationship with him. In 1972, he turned to moving images through the ORTF’s (Office de radiodiffusion-télévision française) Research Department and the Light Show project, a multiple-projection system combining 16mm and Super 8 films with slides.
After a period of training at Vidéographe in Montréal, in 1974 he founded the Imago group within CERFI, with the aim of exploring video as a tool for training, institutional analysis, and counter-information. That same year, he met Jean-Pierre Beauviala and discovered the Paluche, a small video camera that brought “the eye to the level of the hand,” making filming freer, more immediate, and closer to people. Pain thus became something of a videographer for the milieu around Guattari. Over the years, he amassed a vast collection of footage documenting the social movements of the 1970s, Guattari’s seminars, and the experiences of Italians who came to France after March 1977.