HOW TO WRITE, an AI Guide in Four Steps
Competition                  

HOW TO WRITE, an AI Guide in Four Steps

Nicola Eddy

Country

Italy

Year

2025

Length

8'38"

Category

Experimental

Screenplay

Nicola Eddy

Editing

Nicola Eddy

Music

Andrea Fabris e Alessandro Gambato

Distribution

Giungla

Synopsis

In a future without imagination, storytelling means recycling the past. A vintage tutorial, narrated by an AI, guides creators in combining fragments of old narratives, revealing that creation is construction, not invention.

Biography

Nicola Eddy was born in Venice in 1993. In 2019, he began his journey as an editor and creator in the field of cultural communication, eventually evolving into a screenwriter and director. His career explores themes related to memory and shifting identities over time, with an intimate and independent style. His experience as a stand-up comedy writer deeply influences his approach to directing. His artistic exploration is marked by a balance between editing, writing, and visual experimentation.

Statement

The project was born in the first months of my daughter’s life, when time seemed to fragment into repetitive cycles. During that period, I began to reflect on how my creativity often stems from the recovery and reworking of others’ works. This process, so similar to the imitation of meaning patterns performed by LLM artificial intelligences, led me to imagine a future in which creativity itself becomes a limited resource, depleted like natural deposits.

In this scenario, storytelling is no longer an act of pure invention but a meticulous process of reuse and reworking. One draws from the archives of the past, from fragments of forgotten stories, because originality, as we have always understood it, has become an unattainable luxury.

The text itself reflects this fragmentation: some parts are mine, while others come from my father’s poems, dismantled and reassembled into a mosaic that explores creation as transformation rather than invention.

Images and music follow the same logic: heterogeneous fragments collected online were reorganized, as a LLM uses its data set, to evoke emotions and give life to something new. In the film, creation becomes a process of construction, not inspiration.

— Nicola Eddy

Archival materials

Footage from various online archives, all labelled with a public domain licence: Prelinger Archives, Eva Völkstorm, the Mario Perez Video Collection and the Al Larvick Conservation Fund.