When a Palestinian filmmaker based in Scotland unearths a rarely-seen Scottish film archive of Palestinian wild flowers, he decides to reclaim the footage. This tender essay film questions the role of image-making as a tool of both testimony and violence when connected to entanglements between people and land.
Country
UK (Scotland)Year
2024Length
17'01"
Category
DocumentaryScreenplay
Theo Panagopoulos (with Erica Monde as consultant)Editing
Theo PanagopoulosMusic
Alexandra KaterinopoulouSound
Hannan JonesProduction
Marissa KeatingDistribution
Scottish Documentary InstituteSynopsis
Biography
Theo Panagopoulos is a Greek-Lebanese-Palestinian filmmaker and PhD researcher based in Scotland. His work explores themes of collective memory, displacement, fragmented identity and language in an equally sensitive and political way.
Statement
The Flowers Stand Silently, Witnessing began in the summer of 2023 as an accidental encounter with film archives showing Palestinian flowers of the 1930s & 1940s. The footage, sitting undigitised and unseen for decades, was located just a 10 minute walk from my current home in Glasgow. The archives present a world that my Palestinian grandparents knew very well, a world that is now actively being erased through current narratives, imagery and violence. My film reclaims the footage as a form of testimony in a heightened and uncertain time, and as a form of resistance to cultural erasure.
— Theo Panagopoulos
Archival materials
National Library of Scotland
Screenings
Sat 27.09.202518:00–20:00
The Flowers Stand Silently, Witnessing + Partition
Italian premiere
Q&A with director
Screening
Cinema Lumière, Sala Scorsese
Piazzetta P. P. Pasolini 2/b
Ticket fee
Sun 28.09.202520:30–22:00
The Flowers Stand Silently, Witnessing + Partition
Italian premiere
Q&A with director
Screening
Sala Cervi
Via Riva di Reno 72/A
Ticket fee