16 films, 11 Italian premieres, 1 European premiere, 1 world premiere
Selection curated by Sergio Fant in collaboration with André Habib and Rossella Catanese
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Animal Macula
Animal Macula plunges us into the heart of a sprawling and winding network where animals transform as they move from one sequence to another, all drawn from 125 years of cinema. An enigma is contained in each image where an animal appears, diffused in the signs that he sends us in silence.
By letting the images speak, a new memory emerges which makes us witness the ambivalent relationship, sometimes strong but often violent, that we have with these other living beings. In the closeness that Animal Macula gives to feel, it is also our linked destinies that he invites us to rediscover.
Archive materials used in the film
Fiction films, documentaries, archives, experimental footage, internet footage, found footage
Bio of the director
Sylvain L’Espérance studied film and visual arts. For the past 25 years, he has traveled from Quebec to West Africa and Europe. He has directed a dozen films that combine direct cinema with experimental research to explore reality through a poetic lens. L’Espérance’s films are selected and presented by prestigious documentary festivals around the world. Animal macula won the Special Jury Award at Montreal 2021 RIDM.
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Journal d’Amérique (American Journal)
“Think of America, I told myself. The cities, the houses, the people, the arrivals, the departures, the children coming and leaving, death, life, movement, speech. Think of the deep sigh inside of all things alive in America. Bend down. Pick up what others let go to waste from life. So the wind won’t blow it all away.” Since 2004, Arnaud des Pallières has been working on a visual and sound fresco exploring American stories from the 20th century, compiled entirely from archive footage from the American Prelinger collection.
Archive materials used in the film
Prelinger Archives
Bio of the director
Arnaud des Pallières was born in 1961 in Paris. After studying cinema, he shot a dozen short films. In 1987 he organized and filmed a conference by philosopher Gilles Deleuze: What Is the Creative Act?. He shot several documentary-fiction essays for television including a portrait of Gertrude Stein. In 2004 he started to work on the archive footage from the American Prelinger collection.
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Xaraasi Xanne (Crossing Voices)
Using rare cinematic, photographic and sound archives, Xaraasi Xanne recounts the exemplary adventure of Somankidi Coura, an agricultural cooperative created in Mali in 1977 by western African immigrant workers living in workers’ residences in France. The story of this improbable, utopic return to the homeland follows a winding path that travels through the ecological challenges and conflicts on the African continent from the 1970s to the present day. To tell this story, Bouba Touré, one of its principal actors, returns to the heart of his personal archives. They document peasant struggles in France and Mali as well as following the personal stories of migrant workers over many decades.
Archive materials used in the film
Bouba Touré personal archives, Reuters Archives, British Pathé, INA, GP Archives.
Bio of the directors
Raphaël Grisey (1979) is an audiovisual artist whose research applies to the politics of memory, architecture, migration and agriculture.
Bouba Touré (1948-2022), has lived in Paris and Somankidi Coura, Mali: as a photographer since the 1970s, he has documented the lives and struggles of migrant workers and peasants in France and Mali."
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The Kiev Trial
The Kiev Trial, also known as the “Kiev Nuremberg,” took place in January of 1946 in the Soviet Union, and was one of the first post-war trials convicting German Nazis and their collaborators. 15 criminals, guilty of atrocities, which were later identified by the Nuremberg trials as “crimes against humanity.” Using unique, previously unseen, archive footage, Sergei Loznitsa reconstructs key moments of the proceedings, including statements of the defendants and testimonies of the witnesses, survivors of Auschwitz and Babi Yar among them. The film lays bare the “banality of evil” and is devastatingly relevant today, as Ukrainian people are once again being subjected to the violence of barbarian invaders.
Archive materials used in the film
Rossiyskiy Gosudarstvennyy Arkhiv Kinofotodokumentov, Pshenichnyi Archive / Russian State Film and Photo Archive, Pshenichny Archive.
Bio of the director
Growing up in Kiev, Sergei Loznitsa (1964) has been making films since 1996. To date he has directed 25 award-winning documentaries and 4 fiction films and is now one of the world’s leading names in found footage. In 2021 he received the Special Jury Prize of the L’Oeil D’Or Award in Cannes for his film Babij Jar. Kontekst.
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Filmski dnevnici (Film Diaries)
Based on 9,5mm found footage filmed by Belgrade cineamateurs between the two world wars, this film looks into the private family archive as a reflection of Yugoslav history. Following the life of the family in the country that was rebuilt and disappeared again, it confirms the words of Claude Simon that “although it repeats itself — history should be repeated by every individual in his generation”.
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Archivio Cinematografico Jugoslavo, Archivio Cinematografico Croato, Cine-club Novi Sad.
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Milica Jovčić is a visual artist and filmmaker from Belgrade, Serbia. Her work is comprised of experimental films and audiovisual performances, where she often uses home and amateur movies from Yugoslavia. Nenad Ćosić is a film director from Belgrade, Serbia. His work is based on found footage and analogue films. Through the form of documentary and experimental film, he deals with the re-examination of historical documents.
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1970
When protests broke out in Communist Poland in late 1970, a crisis team gathered in Warsaw. Soon after the militia made use of their batons. Shots were fired. Through archival recordings and animations, viewers are able to observe the various interlocking power systems that marked Poland’s history that year. The film 1970 is a story about a rebellion, told from the perspective of the oppressors.
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Archive of the Communist Ministry of Internal Affairs, Archive of the Institute of National Remembrance, Polish Television, Documentary and Feature Film Studio in Warsaw
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Tomasz Wolski is a member of the Guild of Polish Documentary, Polish Film Academy and European Film Academy. He is the director, editor, cameramen of 13 documentaries awarded at many international festivals including Visions du Réel, Los Angeles Film Festival, Palm Springs Film Festival, Punto de Vista Nancy, Aye Aye Film Festival Evora, FIKE Flickerfest International Short Film Festival, Camerimage and Krakow Film Festival.
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g
Condition d'élévation (State of Elevation)
While she is aboard a stratospheric balloon of which she holds the secret, a teenage girl makes a strange encounter in outer space. Two investigations try to separate fact from fiction. One is conducted in the present, the other in the past. One uses images, the other spoken words. One looks into Space, the other into the ocean depths. This is how a quest’s story brings together both archives and fiction with rare stylistic refinement and humor.
Archive materials used in the film
Archivi del CNES - Centre national d’études spatiales.
Bio of the director
Isabelle Prim is a director whose work lies at the crossroads of fiction and experimentation. A graduate of Fresnoy, National Studio of Contemporary Arts, she is also a graduate in the study and practice of arts, and a teacher at Ésam, the école supérieure of arts and media Caen/Cherbourg. As an editor and actress, she has worked with great contemporary filmmakers.
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Cны из левого глаза (Dreams From The Left Eye)
Dreams from the left eye is an experimental sketch based on the life of Oleg Prusov, a young artist and poet from Vitebsk (Belarus) who lived at the end of the 20th century and created about 200 paintings and graphic works, as well as 2 collections of poetry and prose. While studying at the Minsk Art College, he already participates in exhibitions and quickly achieves success both in his native city and in Belarus. His career was interrupted by a gradual loss of vision, and then death at the age of 26 from a long illness. Of this tragic fate only the images of the Prusov family home movies survive. A glimpse of the Belarusian landscape and society at the end of the 20th century.
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Archivi di Belteleradio, archivi della famiglia Prusov (Prusov Stanislav Gennadievich), archivi personali di Viktor Grinkevich e Sergei Makeev, materiali da YouTube.
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Stanislav Bagdia was born in 1997 in Vitebsk, Belarus. He actively skipped the last classes of high school, because of his passion for photography. In 2016 he graduated from the Vitebsk Vocational and Technical Lyceum with a degree in photography with honors. In 2019 he graduated from the Gomel Art College with a degree in easel painting. Since 2021, he has been studying at the Szczecin Academy of Arts (Poland) with a degree in Cinema.
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Écoutez le battement de nos images (Listen to the beat of our image)
60 years ago, French government decided to establish its space center in Kourou (French Guiana, South America). 600 guianese people were expropriated to allow France to fulfill their dream of space conquest. Combining field investigation and video-editing processes on archives, Listen to the Beat of Our Images gives a voice to an invisibilized and silenced population.
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National Center Of Space Studies
Bio of the director
Audrey Jean-Baptiste is a documentary and narrative filmmaker. She works between France and French Guiana. Her films address issues of race, gender and sexuality.
Maxime Jean-Baptiste is a filmmaker based between Brussels and Paris, born and raised in the context of the Guyanese and Antillean diaspora in France. His interest as an artist is to dig inside the complexity of Western colonial history by detecting the survival of traumas from the past in the present.
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Home When You Return
Carl Elsaesser creates an experimental melodrama inspired by the films of amateur filmmaker Joan Thurber Baldwin made in the 1950s — very close to the style of the so-called Women’s Weepies — and by autobiographical references. Home When You Return is an unusual mélange of domestic, familiar and cinematic spaces through the omnipresent images of J.T. Baldwin and the absent images of her grandmother and mother. Multiple visions overlap until they meet and merge into a powerful essay, a tribute to the lives of three hopelessly unrecognised women.
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Joan Thurber Baldwin’s Archive — Northeast Historic Film in Bucksport Maine.
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Sensitive Material
In a painful conversation, 50-year-old Lilia talks about her mental trauma due to her parents’ constant quarrels during childhood, while her mother justifies her lack of love with the rigid frames of a totalitarian society. The film combines amateur films shot by the director over the course of ten years on expired Svema film stock, produced in the small town of Shostka in Ukraine in the 1970s and 1980s: the grain of fog that covers the image becomes the visual pretext for telling the story of people who were born, grew up and grew old in the Soviet Union with false illusions that have always obscured their reality.
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Personal archives
Bio of the director
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Animal Macula
Animal Macula plunges us into the heart of a sprawling and winding network where animals transform as they move from one sequence to another, all drawn from 125 years of cinema. An enigma is contained in each image where an animal appears, diffused in the signs that he sends us in silence.
By letting the images speak, a new memory emerges which makes us witness the ambivalent relationship, sometimes strong but often violent, that we have with these other living beings. In the closeness that Animal Macula gives to feel, it is also our linked destinies that he invites us to rediscover.
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The Kiev Trial
The Kiev Trial - Sergei Loznitsa, Paesi Bassi/Ucraina, 2022, 106’ | 21 ottobre, 20.30 – 22.15, Cinema Lumière - Sala Mastroianni
In
Official Competition 2022
21.10 / 21.10.2022
Écoutez le battement de nos images (Listen to the beat of our image)
In
Official Competition 2022
22.10 / 22.10.2022
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Animal Macula
Animal Macula plunges us into the heart of a sprawling and winding network where animals transform as they move from one sequence to another, all drawn from 125 years of cinema. An enigma is contained in each image where an animal appears, diffused in the signs that he sends us in silence.
By letting the images speak, a new memory emerges which makes us witness the ambivalent relationship, sometimes strong but often violent, that we have with these other living beings. In the closeness that Animal Macula gives to feel, it is also our linked destinies that he invites us to rediscover.
Archive materials used in the film
Fiction films, documentaries, archives, experimental footage, internet footage, found footage
Bio of the director
Sylvain L’Espérance studied film and visual arts. For the past 25 years, he has traveled from Quebec to West Africa and Europe. He has directed a dozen films that combine direct cinema with experimental research to explore reality through a poetic lens. L’Espérance’s films are selected and presented by prestigious documentary festivals around the world. Animal macula won the Special Jury Award at Montreal 2021 RIDM.
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string(1378) "Journal d’Amérique (American Journal)
“Think of America, I told myself. The cities, the houses, the people, the arrivals, the departures, the children coming and leaving, death, life, movement, speech. Think of the deep sigh inside of all things alive in America. Bend down. Pick up what others let go to waste from life. So the wind won’t blow it all away.” Since 2004, Arnaud des Pallières has been working on a visual and sound fresco exploring American stories from the 20th century, compiled entirely from archive footage from the American Prelinger collection.
Archive materials used in the film
Prelinger Archives
Bio of the director
Arnaud des Pallières was born in 1961 in Paris. After studying cinema, he shot a dozen short films. In 1987 he organized and filmed a conference by philosopher Gilles Deleuze: What Is the Creative Act?. He shot several documentary-fiction essays for television including a portrait of Gertrude Stein. In 2004 he started to work on the archive footage from the American Prelinger collection.
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string(1547) "Xaraasi Xanne (Crossing Voices)
Using rare cinematic, photographic and sound archives, Xaraasi Xanne recounts the exemplary adventure of Somankidi Coura, an agricultural cooperative created in Mali in 1977 by western African immigrant workers living in workers’ residences in France. The story of this improbable, utopic return to the homeland follows a winding path that travels through the ecological challenges and conflicts on the African continent from the 1970s to the present day. To tell this story, Bouba Touré, one of its principal actors, returns to the heart of his personal archives. They document peasant struggles in France and Mali as well as following the personal stories of migrant workers over many decades.
Archive materials used in the film
Bouba Touré personal archives, Reuters Archives, British Pathé, INA, GP Archives.
Bio of the directors
Raphaël Grisey (1979) is an audiovisual artist whose research applies to the politics of memory, architecture, migration and agriculture.
Bouba Touré (1948-2022), has lived in Paris and Somankidi Coura, Mali: as a photographer since the 1970s, he has documented the lives and struggles of migrant workers and peasants in France and Mali."
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string(1577) "The Kiev Trial
The Kiev Trial, also known as the “Kiev Nuremberg,” took place in January of 1946 in the Soviet Union, and was one of the first post-war trials convicting German Nazis and their collaborators. 15 criminals, guilty of atrocities, which were later identified by the Nuremberg trials as “crimes against humanity.” Using unique, previously unseen, archive footage, Sergei Loznitsa reconstructs key moments of the proceedings, including statements of the defendants and testimonies of the witnesses, survivors of Auschwitz and Babi Yar among them. The film lays bare the “banality of evil” and is devastatingly relevant today, as Ukrainian people are once again being subjected to the violence of barbarian invaders.
Archive materials used in the film
Rossiyskiy Gosudarstvennyy Arkhiv Kinofotodokumentov, Pshenichnyi Archive / Russian State Film and Photo Archive, Pshenichny Archive.
Bio of the director
Growing up in Kiev, Sergei Loznitsa (1964) has been making films since 1996. To date he has directed 25 award-winning documentaries and 4 fiction films and is now one of the world’s leading names in found footage. In 2021 he received the Special Jury Prize of the L’Oeil D’Or Award in Cannes for his film Babij Jar. Kontekst.
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Filmski dnevnici (Film Diaries)
Based on 9,5mm found footage filmed by Belgrade cineamateurs between the two world wars, this film looks into the private family archive as a reflection of Yugoslav history. Following the life of the family in the country that was rebuilt and disappeared again, it confirms the words of Claude Simon that “although it repeats itself — history should be repeated by every individual in his generation”.
Archival materials used in the film
Archivio Cinematografico Jugoslavo, Archivio Cinematografico Croato, Cine-club Novi Sad.
Bio of the directors
Milica Jovčić is a visual artist and filmmaker from Belgrade, Serbia. Her work is comprised of experimental films and audiovisual performances, where she often uses home and amateur movies from Yugoslavia. Nenad Ćosić is a film director from Belgrade, Serbia. His work is based on found footage and analogue films. Through the form of documentary and experimental film, he deals with the re-examination of historical documents.
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1970
When protests broke out in Communist Poland in late 1970, a crisis team gathered in Warsaw. Soon after the militia made use of their batons. Shots were fired. Through archival recordings and animations, viewers are able to observe the various interlocking power systems that marked Poland’s history that year. The film 1970 is a story about a rebellion, told from the perspective of the oppressors.
Archive materials used in the film
Archive of the Communist Ministry of Internal Affairs, Archive of the Institute of National Remembrance, Polish Television, Documentary and Feature Film Studio in Warsaw
Bio of the director
Tomasz Wolski is a member of the Guild of Polish Documentary, Polish Film Academy and European Film Academy. He is the director, editor, cameramen of 13 documentaries awarded at many international festivals including Visions du Réel, Los Angeles Film Festival, Palm Springs Film Festival, Punto de Vista Nancy, Aye Aye Film Festival Evora, FIKE Flickerfest International Short Film Festival, Camerimage and Krakow Film Festival.
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Condition d'élévation (State of Elevation)
While she is aboard a stratospheric balloon of which she holds the secret, a teenage girl makes a strange encounter in outer space. Two investigations try to separate fact from fiction. One is conducted in the present, the other in the past. One uses images, the other spoken words. One looks into Space, the other into the ocean depths. This is how a quest’s story brings together both archives and fiction with rare stylistic refinement and humor.
Archive materials used in the film
Archivi del CNES - Centre national d’études spatiales.
Bio of the director
Isabelle Prim is a director whose work lies at the crossroads of fiction and experimentation. A graduate of Fresnoy, National Studio of Contemporary Arts, she is also a graduate in the study and practice of arts, and a teacher at Ésam, the école supérieure of arts and media Caen/Cherbourg. As an editor and actress, she has worked with great contemporary filmmakers.
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Cны из левого глаза (Dreams From The Left Eye)
Dreams from the left eye is an experimental sketch based on the life of Oleg Prusov, a young artist and poet from Vitebsk (Belarus) who lived at the end of the 20th century and created about 200 paintings and graphic works, as well as 2 collections of poetry and prose. While studying at the Minsk Art College, he already participates in exhibitions and quickly achieves success both in his native city and in Belarus. His career was interrupted by a gradual loss of vision, and then death at the age of 26 from a long illness. Of this tragic fate only the images of the Prusov family home movies survive. A glimpse of the Belarusian landscape and society at the end of the 20th century.
Archive materials used in the film
Archivi di Belteleradio, archivi della famiglia Prusov (Prusov Stanislav Gennadievich), archivi personali di Viktor Grinkevich e Sergei Makeev, materiali da YouTube.
Short bio of the director
Stanislav Bagdia was born in 1997 in Vitebsk, Belarus. He actively skipped the last classes of high school, because of his passion for photography. In 2016 he graduated from the Vitebsk Vocational and Technical Lyceum with a degree in photography with honors. In 2019 he graduated from the Gomel Art College with a degree in easel painting. Since 2021, he has been studying at the Szczecin Academy of Arts (Poland) with a degree in Cinema.
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string(1351) "Écoutez le battement de nos images (Listen to the beat of our image)
60 years ago, French government decided to establish its space center in Kourou (French Guiana, South America). 600 guianese people were expropriated to allow France to fulfill their dream of space conquest. Combining field investigation and video-editing processes on archives, Listen to the Beat of Our Images gives a voice to an invisibilized and silenced population.
Archival materials used in the film
National Center Of Space Studies
Bio of the director
Audrey Jean-Baptiste is a documentary and narrative filmmaker. She works between France and French Guiana. Her films address issues of race, gender and sexuality.
Maxime Jean-Baptiste is a filmmaker based between Brussels and Paris, born and raised in the context of the Guyanese and Antillean diaspora in France. His interest as an artist is to dig inside the complexity of Western colonial history by detecting the survival of traumas from the past in the present.
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string(1580) "Home When You Return
Carl Elsaesser creates an experimental melodrama inspired by the films of amateur filmmaker Joan Thurber Baldwin made in the 1950s — very close to the style of the so-called Women’s Weepies — and by autobiographical references. Home When You Return is an unusual mélange of domestic, familiar and cinematic spaces through the omnipresent images of J.T. Baldwin and the absent images of her grandmother and mother. Multiple visions overlap until they meet and merge into a powerful essay, a tribute to the lives of three hopelessly unrecognised women.
Archive materials of the director
Joan Thurber Baldwin’s Archive — Northeast Historic Film in Bucksport Maine.
Short bio of the director
Carl Elsaesser (1988, USA) graduated from Hampshire College and University of Iowa. He lives and works between midcoast and interior Maine and Brooklyn, NY. He has made several short films which have screened at festivals in New York, Berlin, Michigan, Amsterdam, Korea among others. In his work, Elsaesser mixes genres and materials to produce work that critically investigates the overarching presence of the historical without losing sight of individual experiences of human connection.
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string(1429) "Sensitive Material
In a painful conversation, 50-year-old Lilia talks about her mental trauma due to her parents’ constant quarrels during childhood, while her mother justifies her lack of love with the rigid frames of a totalitarian society. The film combines amateur films shot by the director over the course of ten years on expired Svema film stock, produced in the small town of Shostka in Ukraine in the 1970s and 1980s: the grain of fog that covers the image becomes the visual pretext for telling the story of people who were born, grew up and grew old in the Soviet Union with false illusions that have always obscured their reality.
Archive materials used in the film
Personal archives
Bio of the director
Since 2006 Nataliya Ilchuk has been making films in which she explores the theme of individual identity and collective historical memory against the background of different social and cultural discourses. Her works explore the phenomena of processes of social change and their impact on individuals through constructed fictional narratives made up of footage from personal archives.
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Animal Macula
Animal Macula plunges us into the heart of a sprawling and winding network where animals transform as they move from one sequence to another, all drawn from 125 years of cinema. An enigma is contained in each image where an animal appears, diffused in the signs that he sends us in silence.
By letting the images speak, a new memory emerges which makes us witness the ambivalent relationship, sometimes strong but often violent, that we have with these other living beings. In the closeness that Animal Macula gives to feel, it is also our linked destinies that he invites us to rediscover.
Archive materials used in the film
Fiction films, documentaries, archives, experimental footage, internet footage, found footage
Bio of the director
Sylvain L’Espérance studied film and visual arts. For the past 25 years, he has traveled from Quebec to West Africa and Europe. He has directed a dozen films that combine direct cinema with experimental research to explore reality through a poetic lens. L’Espérance’s films are selected and presented by prestigious documentary festivals around the world. Animal macula won the Special Jury Award at Montreal 2021 RIDM.
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